It makes sense to have these effects in HitFilm, but becomes redundant once you bring them over to AE because they are both kind of the same type of application: compositing and motion graphics. The reason why there is so much redundancy is because these are the same plugins found in HitFilm, which attempt to give you compositing features (similar to AE) in their standalone application. The rest of the plugins are effects that are what I call “fun effects,” such as film damage, fish eye distortion, etc. Things like adding grain, changing color temperature, adding glows, lens blurs, and keying can be done with a single effect using AE’s native tools. The majority of the plugins you’ll find in the HitFilm Plugins are effects that can easily be created and done using After Effects’ built-in tools with about the same amount of ease. This isn’t a bad thing, but I will explain more about this later. Let me be blunt as most members of my community are After Effects users: These set of plugins aren’t really geared towards After Effects. You can view more information and buy the HitFilm plugins here. HitFilm Plugins will be released in late April, 2014. The HitFilm Plugins are a separate product from HitFilm and will run you $499, but a cheaper upgrade option will be available for those who already own HitFilm. Stylization, blurs, distortion, and much more.
To familiarize yourself with HitFilm and its workflow and effects, check out my HitFilm 2 review.įirst, let’s take a look at the features: I had the opportunity to test drive this thing, and today I will talk about the pros, the cons, and everything else you need to know about the HitFilm Plugins before purchasing. FXhome recently announced their newest product, HitFilm Plugins, which brings the power and tools of HitFilm into other NLE applications such as After Effects, Premiere, Final Cut Pro X, and Vegas Pro.
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